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eine Saite

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moss energy

What I love about the picture above is that I really can’t tell you what is going on there. I still don’t know yet. But the alchemical invitation of combined elements feels activated, there is potential for an emergence of some kind, however small and searching. That’s the nature of my studio space these days. It holds and pools and mixes together images, textures, acts of mark making and folding and tying - possibly generating amulets, or maybe the assemblage itself is the amulet, a protected and protective space to hold thoughts that wish to heal and halt destruction.

This rock also felt strongly of healing and wholeness. Such a wise and soothing design, so smooth and comfortable in the hand. I carried it along the beach, my first time back since an incident of local violence, and I left it there to mark the site with its calm assurance, another hope for healing and reparation.

I only feel capable of temporary offerings these days, momentary indications of care and tentative hope. I gain reassurance from these ancient forms that don’t need us humans, really.

A cedar showing me the beauty of a difficult life.

In preparation for a moss walk with the land trust study group, I was thinking about two aspects of mosses’ being. First, their extreme delicacy and sensitivity: with leaves only one cell thick, mosses have no protective layer filtering the outside world. The environment permeates their cells, making them highly susceptible to toxicity and air pollution. At the same time, many mosses are drought tolerant, can essentially go dormant until conditions are suitable to flourish, and when land has been depleted through mining or deforestation, they are often the first to come in and begin to find ways to grow. As some of the oldest plants on the planet, mosses have an ability to make soil habitable for other organisms. So they are simultaneously more sensitive, and more likely to create the conditions for communal thriving. These sound like the kind of characteristics the world needs, and it’s encouraging for those of us who have the experience of being too sensitive, feeling too much and too easily, to recognize that we also may have the capacity for encouraging better conditions for everyone, for starting over with small-scale care and attentiveness.

I roll it around in my mind as I visit the mosses and watch the birds and handle fiber: slow, gentle delicacy as teaching and strength.

Cotton from Traditions in Cloth, leather-whorl spindle by Allen Berry

Recycled paper stitched together and dyed with onion skins.

Maybe that’s where hope resides - with those of us who are unable to tolerate bombing of children, hospitals, libraries. Maybe our very intolerance, our inability to harden against this unacceptable reality, is what will create conditions where more of us can grow together.

A Bigleaf Maple offering shelter & embrace.

Small, persistent offerings feel small, but also crucial, as so much is being wantonly destroyed. Like the stitches in this Palestinian embroidery, creating meaning and preserving an attentiveness to life, to identity and place.

Palestinian cross stitch, found by chance in a local consignment shop. Someone tells me it has West Bank motifs from the Bethlehem area (thank you, Dot Ranch!) Along the right side are cedar/cypress trees of life.

tags: moss, textiles, embroidery, beach, stones, nature, poetry, palestine, worksonpaper, decolonize
Wednesday 05.29.24
Posted by Tracy Hudson
Comments: 2
 

more listening

I find myself again listening to the beach, and as with the previous time, I feel like letting the place speak for itself. Only now more so.

Words seem frail, as do individual humans.

Often, my photos follow a stem thought, a particular noticing that compounds on itself, in the form of a series. The thought on Rialto Beach, which is an astounding place to beach-listen, came after attempts to transcribe the waves….

shoo-aaah …. hmmmm-wah …..

ooooorr - rehhh …. brrrr-oh…wa …

prrrr-woh ….. sheeeeeeeeee ….

kraaaah …. kssshhh …. kraaaaaw

And the thought was, that all my countless written syllables, in all my notebooks, in English, German, French, or attempted bird-tree-sea-wind-wave languages, are nothing to the simplicity of stones in sand, the sea’s soft drag ever again recurring, whose writing was expressed all over this wide morning beach with an aching delicacy of line.

My wish is only to make/craft a response that says I am listening. This may be the whole point of all my writing and making: to say I’m listening, to immerse in the learning that is available to me, surrounding me in nature and textiles and all these living beings.

And P.S. - the sinuous lines of trees, also taking my breath and words away…

tags: beach, poetry, quiet, language, stones, sand, nature, tide, winter
Sunday 12.17.23
Posted by Tracy Hudson
Comments: 1
 

beach listening

I used to think that as an artist, I needed to DO something when I saw and felt a beautiful or powerful scene. That I needed to make art from that specific view or immersion or feeling.

But now I know that it’s more important to just be here with whatever is going on, to pay attention with all senses, which today felt like listening.

At some points, it was actually sound-focused, as when I reached the outermost curve of the point, and the gentle waves approached from my right, passed in front, and continued to my left - a wraparound sound of sea caressing small stones.

Or when I heard a distant peeping on the water, higher than gulls’ voices, and could see lots of tiny bird shapes in the distance. The app on my phone suggested they are Marbled Murrelets, a few of whom I did see close enough to recognize. Yes, they are as sweet looking as their names sound.

self portrait in wet rock - this one almost came home with me - those lines!

Generally it was just a form of attention, the sounds joining the light on water, the shapes in the sand, the language of the tide and the shore, and I listened to see what it might teach me.

the color and texture of the sand are striking me now, whereas when I made the picture it was a neutral ground for the shell and stone

In addition to reminding me that I don’t have to do anything ‘with’ this (but who can resist taking pictures when the colors and textures and shapes are so cool), the teaching today was that wherever I am is the view that matters. I’m often seeing the bay from up the hill, and thinking oh I have to get down there! But the truth is, I can only see the angle of light and reflection, for example in the first image, from just that point on the hill. So I stopped there long enough to appreciate that this view is unique to this spot, before continuing on. There’s some broad lesson in there, that the view from where you are now is unique and most important. It makes me slow down, which has to be a good thing.

I can’t claim to understand the heiroglyphic messages in the beach debris or the designs of rocks, but I have a priority these days of listening to wise language, whether I know what it means or not.

bonus spindle content, with green rocks to swoon over

tags: walking, beach, stones, sea, spindle, spinning, decolonize, slow
Thursday 01.26.23
Posted by Tracy Hudson
Comments: 2
 

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