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eine Saite

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beach listening

I used to think that as an artist, I needed to DO something when I saw and felt a beautiful or powerful scene. That I needed to make art from that specific view or immersion or feeling.

But now I know that it’s more important to just be here with whatever is going on, to pay attention with all senses, which today felt like listening.

At some points, it was actually sound-focused, as when I reached the outermost curve of the point, and the gentle waves approached from my right, passed in front, and continued to my left - a wraparound sound of sea caressing small stones.

Or when I heard a distant peeping on the water, higher than gulls’ voices, and could see lots of tiny bird shapes in the distance. The app on my phone suggested they are Marbled Murrelets, a few of whom I did see close enough to recognize. Yes, they are as sweet looking as their names sound.

self portrait in wet rock - this one almost came home with me - those lines!

Generally it was just a form of attention, the sounds joining the light on water, the shapes in the sand, the language of the tide and the shore, and I listened to see what it might teach me.

the color and texture of the sand are striking me now, whereas when I made the picture it was a neutral ground for the shell and stone

In addition to reminding me that I don’t have to do anything ‘with’ this (but who can resist taking pictures when the colors and textures and shapes are so cool), the teaching today was that wherever I am is the view that matters. I’m often seeing the bay from up the hill, and thinking oh I have to get down there! But the truth is, I can only see the angle of light and reflection, for example in the first image, from just that point on the hill. So I stopped there long enough to appreciate that this view is unique to this spot, before continuing on. There’s some broad lesson in there, that the view from where you are now is unique and most important. It makes me slow down, which has to be a good thing.

I can’t claim to understand the heiroglyphic messages in the beach debris or the designs of rocks, but I have a priority these days of listening to wise language, whether I know what it means or not.

bonus spindle content, with green rocks to swoon over

tags: walking, beach, stones, sea, spindle, spinning, decolonize, slow
Thursday 01.26.23
Posted by Tracy Hudson
Comments: 2
 

focus

For a while I was avoiding the word, because I had a tendency to pummel myself with it, as a thing that I failed to do. When I understood, finally, that accepting my own method of buzzing around between projects and mental states was more conducive, I stopped trying to focus, and just allowed for whatever was happening.

Spiral at Madrona MindBody Institute, Dec. 20. Much of the cedar and fir came from near my house.

But now I’m thinking of focus again, wanting to make it a touchstone, and as I helped build and then walked the spiral for a local solstice celebration, focus was in my mind. It requires a new definition, one that doesn’t exclude spontaneous expressions, deviations from the plan, or a wide range of media.

This is my favorite place to be.

I’m still, and probably always will be “all over the place.” But I’m thinking that a breadth of possibility does not preclude focus. The new definition I’m choosing is: coming back to what is important. Focus will mean, not spinning out, not losing perspective, not letting go of intention and disciplined effort. Feeding back into the stream of This is What Matters.

Recent work in pieced fabric - see Clothscapes in the works tab.

An artist I respect very much puts in 10 hour studio days, but included in those days are walking outside, taking naps, some work online, and so forth. Work does not mean exclusively putting paint to canvas, pen to paper, shuttle through shed. It means one is focused on the work, in the grand scheme, and this is what I mean by focus.

Latest weaving going onto the rigid heddle loom. I finally found a way to sley this that is not uncomfortable, so I took a picture. Handspun yarn from Carolyn Doe <3

More and more shall feed into the work, shall be flowing in the same river, with the same general intention of seeking, spotting, or teasing out depth, strength, significance. What else are we supposed to do?

Sarah-Dippity skirt fabric on the loom, a while ago - Harrisville Shetland, yum. Now knitting the panels….

tags: backstrapweaving, weaving, making, slow
Wednesday 12.25.19
Posted by Tracy Hudson
 

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