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eine Saite

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production

Two-stranded plying balls of spindle-spun yarn and a phang-in-progress, hanging in a Ladakhi home in 2007.

I say that tongue-in-cheek, because I am very far removed from what might be considered a production spinner, or weaver, or maker of anything. But the last few days have involved making things, and doing it more quickly than usual.

For example, I spun a whole skein of coils in one day, in preparation for teaching a textured handspun class.

That was pretty quick, but it's bulky, and was done on the wheel, so a skein in a day is not surprising. The other project I'm working on, though, is pushing limits. In the post "two spindles full", I traced the slow progress of Romney spun from hand-teased locks on Peruvian spindles. Those two spindles got plied, and made a nice, hefty ball of weaving yarn.

Full spindle of plied yarn, at the moment I finished.

I was inspired to make a warp in mostly grey, using this nice Romney as a ground. It would be an Andean pickup piece, with bands of pattern in the center and on the sides. Accordingly, I starting winding a warp, picking how many rounds to use for the plain fields based on previous weavings. I wound 20 rounds for the border, then a pattern band, then 50 rounds, then the center pattern band, then ...29 rounds, and the yarn was finished. Hmm.

Given the limitation of my warping pegs, I'd already taken the first half off and laid it aside, so there the 29 rounds sat, warped and taking up space, waiting for 41 more rounds' worth of yarn. I got to work spinning, and spent most of the next day spinning what looked like a sufficient amount on one spindle, then on the second one. Plied them last night and wound on... anther 20 rounds. So 49 rounds sit there, awaiting the rest of the warp.

Many lessons rolled into one, here. I never weighed or measured the original yarn, so I had no idea how much more I would need - it's all just eyeballing, and clearly my eyeballing is not well developed in this area. Another lesson is that I should probably just keep spinning, making more than seems necessary, because the only problem then would be having more than enough. Another lesson has to do with this yarn not necessarily being ideal for backstrap weaving. I was enthusiastic about spinning it from the lock, and continue to enjoy that, but the crimp and fluff of this Romney make it challenging to spin with perfect smoothness. I will be grappling with this lesson as I weave, but I'm in that too-deep-to-back-out situation at this point, and I'm going to follow through.

As I consider the fact that I'm spinning in a few days the same amount I spun over a year or more, and mentally struggle with the prospect of spending another day or two devoted exclusively to spinning this one type of yarn, it makes me laugh to come across the photos of Ladakhi phangs and plying balls in my archive. This is what production spinning really is - the same thing, again and again until there is more than enough.

Ladakhi plying balls, with phang spindles, sitting out on the roof of the house, 2007.

Now that's two spindles full. Ladakh, 2007.


tags: ladakh, wool, phang, handspinning, spinningwool
Wednesday 03.09.16
Posted by Tracy Hudson
Comments: 2
 

things going on

I'm offering a spindle spinning class in May, through the Port Townsend School of the Arts. It's a slow-paced, deliberately discursive path. I hope people will join me.

I also have things for sale on Etsy now - Tracy Hudson FIBERWORK.  Much excitement!

It's all yarn at the moment, but some other types of items may be added....



tags: spindles, spinning, handspinning, spinningwool, phang
Friday 03.04.16
Posted by Tracy Hudson
Comments: 1
 

today's work

IMG_4405.jpg

Spinning with a different handmade spindle - made by Janet and modified by me. Using a new bowl from my friend Cathy Broski's kiln. Her jewel bowls are excellent for supported spinning.

IMG_4407.jpg
tags: handspinning, spindle, phang, spinningwool
Wednesday 10.22.14
Posted by Tracy Hudson
Comments: 1
 

spinning and more spinning

There are many spindles in action at the moment. 

I've just started spinning a batt made by the young daughter of wooldancer. I had the good fortune to visit Michelle's studio in the Blue Mountains... was it really 3 years ago? As we talked fiber and yarn, her daughter gathered supplies and drum-carded a gift batt for me.

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I've paired the sparkly, fairy magic batt with a spindle made by Devrim in Turkey. Makes for a great portable project.

This yarn is one element of my fourth Revolution yarn. The challenge is called Revolution 5 (Ravelry link), and we spin a yarn from multiple ingredients, then use the leftover fibers from that one as the base for the next yarn. They become a stream of consciousness, feeding into each other and subtly related.

The previous ones:

Revolution 1

Revolution 1

Revolution 2 in progress

Revolution 2 in progress

Revolution 2

Revolution 2

Revolution 3 on the bobbin

Revolution 3 on the bobbin

Revolution 3

Revolution 3

Realizing that I had spun a singles, a two ply, and a chain or 3 ply for Revolution 1, 2 and 3, I decided that the fourth must be a four ply, or a cabled yarn (two 2 plies, plied together.) Then of course a five ply for the last one.

Don't hold your breath. This has been a long, slow process, and shows no signs of speeding up. I wonder if it will take me a whole year....

Spinning a 3-year-old batt, in a months-long project of five spins. This is an art not to be rushed. One of my favorite things about spinning yarn is that it accompanies me through life, taking place over time, absorbing and reflecting the moments during which it is created.

tags: artyarn, handspun, handspunyarn, spinningwool, handspinning
Tuesday 01.28.14
Posted by Tracy Hudson
 

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